Opera questions

Jacopo Peri (1561-1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the first work to be called an opera today, Dafne (around 1597), and also the first opera to have survived to the present day, Euridice (1600).

Madama Butterfly is an opera in three acts by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Madama Butterfly has become a staple of the operatic repertoire around the world, ranked 6th by Operabase; Puccini's La bohème and Tosca rank 3rd and 5th.

L'elisir d'amore (The Elixir of Love) is a comic opera (melodramma giocoso) in two acts by the Italian composer Gaetano Donizetti. The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan.

Lohengrin is an opera in three acts by Richard Wagner. It is based on an old German legend. It was first performed in Weimar, Germany on 28 August 1850 with Franz Liszt conducting. Liszt chose to conduct it on that particular day because 28 August was the birthday of Johann Wolfgang von Goethe who had lived in Weimar.

Milan's Teatro alla Scala is perhaps the most famous opera house in the world, the one most associated with “opera.” Built in 1778 with four tiers with separate loges, it is the home of Rossini, Bellini, Donizetti, and Verdi. The name "Teatro alla Scala" comes from the name of Princess Beatrice Regina della Scala, wife of the prince Bernabo Visconti. La Scala has a capacity of 3600 people.

Beethoven struggled to produce an appropriate overture for Fidelio, and ultimately went through four versions. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph.

Giacomo Puccini was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi". His most renowned works are La bohème, Tosca, Madama Butterfly, and Turandot, all of which are among the important operas played as standards.

The Barber of Seville is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini. Rossini's Barber has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". Even after two hundred years, it remains a popular work.

Wagner's music was assimilated with the german domination ethos. The main reason for that is fact that the Third Reich propaganda officially approved it and Hitler himself was a big Wagner fan.

In theatre, a soubrette is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy - often a chambermaid or confidante of the ingenue, she often displays a flirtatious or even sexually aggressive nature.